Going The Distance
Last week some enormous, monstrous waves hit the coast of San Diego. Normal sets in that area generally don’t amount to anything more than four or five feet in the best of spots. But a storm blew in just perfectly and generated waves up to fifteen feet high from the Mexican border up to Newport Beach. For two days, insane waves blasted the coast. The diehards got in the water and went after them. Crowds gathered on the beaches to watch.
And I sat here in Colorado and yearned to be there. There was some last minute talk of hopping a flight as a very major Christmas gift, but a few things got in the way and I couldn’t pull it off. So I called friends and watched via the Internet.
And that got me thinking about place in mysteries. I use San Diego as the setting for my books, mainly because I know it better than any other place on the planet. But I haven’t lived there for nine years and things have changed. There’s a certain amount of distance between the place I think of as home and where I live now. And I think that’s actually helped the setting in my books. I look at things much differently, with a greater appreciation for the area and all the things it offers. I know that while living there for over two decades, I took a lot of things for granted. Now, missing San Diego like I do, I pay greater attention to the details of the city and I’m careful to try and include in the books the minutia and nuance that I think makes the area one of a kind. I’m not sure I would’ve been able to do that, living in the middle of it all. So while it gnaws at me that I missed those waves last week, I think the distance helps my writing.
How do you approach setting?
Jeff
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